{"id":176,"date":"2012-01-18T21:53:55","date_gmt":"2012-01-18T21:53:55","guid":{"rendered":"http:\/\/fraenkelgallery.badfeather.com\/?post_type=fraenkel_artist&p=176"},"modified":"2026-03-30T14:29:35","modified_gmt":"2026-03-30T21:29:35","slug":"robert-adams","status":"publish","type":"fraenkel_artist","link":"https:\/\/fraenkelgallery.com\/artists\/robert-adams","title":{"rendered":"Robert Adams"},"content":{"rendered":"\n

Robert Adams is a photographer who has documented the extent and the limits of our damage to the American West, recording there, in over fifty books of pictures, both reasons to despair and to hope. \u201cThe goal,\u201d he has said, “is to face facts but to find a basis for hope. To try for alchemy.” Adams grew up in New Jersey, Wisconsin, and Colorado, in each place enjoying the out-of-\u00addoors, often in company with his father. At age twenty-five, as a college English teacher with summers off, he learned photography, choosing as his first subjects early prairie churches and early Hispanic art, subjects of unalloyed beauty. After spending time in Scandinavia with his Swedish wife, Kerstin, however, he realized that there were complexities in the American geography that merited exploration.<\/p>\n\n\n

\n\t
\n
\n\n\"Black<\/a>\n<\/div>\n
\n
\n
\n
Weld County, Colorado<\/span>, 1984<\/span><\/div>\n
gelatin silver print<\/span>, 20 x 16 inches (sheet) [50.8 x 40.6 cm]<\/span><\/div>\n<\/div>\n